Writing

Asian Diasporic Artists Ask How We Create Our Self-Images
Hyperallergic, June 2025

A Polyphonic Identity
Performances Magazine, May 2025

From the Fires Remains, Kelly Akashi Sculpts Possibility
Hyperallergic, March 2025

The Sinister Subtext of Farshid Bazmandegan’s Paintings
Hyperallergic, December 2024

Can Asian-American Identity Still Be a Political Home?
Hyperallergic, October 2024

An Abstract Painter’s Disciplined Grace
Hyperallergic, October 2024

Spirit House Manifests the Ghosts of Asian-American History
Hyperallergic, September 2024

Essay on Alisa Ochoa’s Fruits of Labor
August, 2024

How Korean Artists Captured and Resisted a Turbulent Political Era
Hyperallergic, April 2024

Must Asian Americans Always Be Seen in Relation to One Another?
Hyperallergic, April 2024

Guimi You Finds the Poetic Possibilities of Paint
Hyperallergic, November 2023

The Poetry of Place in Teresa Baker’s Art
Hyperallergic, September 2023

Truong Cong Tung Sees History in a Gourd
Hyperallergic, August 2023

An Artist’s Gift of Care
Hyperallergic, April 2023

Quiet Paintings at a Time of Sensory Overload
Hyperallergic, March 2023

Gyopo’s Guide to Four Landmarks of Korean Art on View in Los Angeles
Frieze Week Magazine, February 2023

When Asian-American Artists are Unburdened by Identity
Hyperallergic, November 2022

Letter to my younger self
for Chain Letters project at Chart NY, December 2021

Ghostface Dumplings
Offing Magazine, March 2021